Early last year I totally revamped the Tennant Coats I had been making by changing pretty much all of the materials I was using.
Originally I was using Malabar in walnut (see below, top left); a plain navy blue satin lining (see below, top right); a standard orange silk for the pocket welts (see below, bottom left); and a run of the mill one inch faux horn button (see below, bottom right).
The revisions I made were to improve the colour of Malabar I used to Teak, which is much more screen accurate (see below, top left); I sourced a self-striped navy lining (see below, top right); found the exact orange silk that had been used for the real coats (see below, bottom left); and discovered a supplier for more accurate buttons in the right size and design (see below, bottom right).
But as ever I am always striving to get things better, and I recently had a bit of a unexpected push which has improved things even further.
Friday, 12 August 2011
Monday, 1 August 2011
Turning the collar
You may know that I have been attending College in Hemel over the past year or so, and have been learning many new skills and techniques.
This past term was devoted to hand tailoring used in jacket and coat construction – just the sort of thing I have been keen to expand my knowledge of.
I have been putting these skills into practice, and in the past couple of weeks I have applied this to a Tennant Coat I have been working on.
I have used a very stiff, coarse canvas specially designed to use under collars. I cut it on the bias so it stretches and shape of the collar I am making, and cut it to the net size, without seam allowance (see below, left).
This is pad-stitched to a piece of thick felt that will form the under collar (see below, right).
Notice how just sitting on my workbench, the collar already wants to keep its shape.
The way it is sewn makes the fold sharp and resistant to falling flat. No amount of fusible interfacing can create this effect so efficiently.
Once this is put in place in the coat, the upper collar drapes over this firm support and gives a much better finish and look.
This past term was devoted to hand tailoring used in jacket and coat construction – just the sort of thing I have been keen to expand my knowledge of.
I have been putting these skills into practice, and in the past couple of weeks I have applied this to a Tennant Coat I have been working on.
I have used a very stiff, coarse canvas specially designed to use under collars. I cut it on the bias so it stretches and shape of the collar I am making, and cut it to the net size, without seam allowance (see below, left).
This is pad-stitched to a piece of thick felt that will form the under collar (see below, right).
Notice how just sitting on my workbench, the collar already wants to keep its shape.
The way it is sewn makes the fold sharp and resistant to falling flat. No amount of fusible interfacing can create this effect so efficiently.
Once this is put in place in the coat, the upper collar drapes over this firm support and gives a much better finish and look.
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